One thing that does emerge from all of this: is it appropriate for artists to respond to reviews? I sort of think yes, because reviews, like art, can be good and bad regardless of their content, and people need 2 know. One of my least favorite things to receive, for instance, is a badly-written rave; it makes me hate my music. Don’t you ever see those restaurant reviews that are total raves but written so weirdly that you never want to go to the restaurant? On the other hand, I’ve gotten my share of terrible reviews that were well-enough written and actually reviews rather than (and this is where the wording gets tricky) loaded descriptions of things that are simply True. Those reviews I welcome; somebody up in the Times was all, his music is “arbitrarily episodic” and I read that shit, and was like, oh my God! That’s actually completely right. Now, I think I’ve moved on to Episodic but Organized, like a meal of tapas. In 2001, it was very much like a delicious buffet raided by a crazy person.
Nico Muhly on responding to reviews and (in organized tapas mode) much more, here.
1 comment:
Our work will go on. Reviews, good or not, will be forgotten.
That is, if you manage to keep working no matter what.
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