Tony Harrison on sculpture:
There is a monument to Heine in a park outside the Frankfurt Opera which is used by heroin addicts. Heine's hair was covered in blood sprayed from the veins of junkies when their injections went wrong. Another Heine was in Corfu in the palace of Sissi, Empress of Austria, who adored the poet. At her assassination the palace was bought by the German kaiser, and his first act was to get rid of what he called that "syphilitic Jew".
Sunday, October 25, 2009
Saturday, October 24, 2009
the subversive scribe
On Words Without Borders, María Constanza Guzmán interviews Suzanne Jill Levine, whose The Subversive Scribe: Translating Latin American Fiction has recently been published by Dalkey Archive.
MCG: North American translators are subject to what Lawrence Venuti has called the "canon of fluency," i.e., to certain standards and norms of English writing. How do you negotiate market demands, translation demands, and publishing demands, in the English in which you render your works, how do you deal with questions of readability and smoothness? What would or wouldn’t you compromise?
SJL: That is a complex matter. With all my books, including the biography Manuel Puig and the Spider Woman, and in general with any book that anybody writes, there is someone who mediates between you and the reader, and that’s the editor. Depending on the editor’s culture and the culture of the publishing house itself many things can happen. I have worked with publishers accustomed to dealing with experimental fiction, but nonetheless sometimes they had questions or they wanted to use a solution for something that seemed to me like a conventional compromise. It was a back and forth. And you accept some compromises and not others, but you definitely want to get the book out there. One of the most interesting experiences I had in that regard was when I worked with Simon and Schuster, a big commercial house. I was doing the last novel of Puig’s. My editor at that time said to me, "there is a problem because we don’t know who is talking." I explained that this was part of the style, but she said "Well, can’t we put names?" I said: "Definitely not," and there was a huge battle, but I won. Because part of the point is that in the novel Puig is using film script format but without the names. It is very important how he plays with that, and it is up to the reader to find out who the speakers are. In a way you are what you speak. So that was the story, and I thought it was rather interesting; it was quite invasive of the editor; I had never encountered that before. Then again, the book wasn’t exactly a runaway bestseller either. I think that sometimes I’ve really taken control of the text and sometimes the editor might have been right.
(Much, much more in this extremely interesting interview, the rest here)
arga warga
Daniel Maia has started up Arga Warga (courtesy of Russell Hoban) to publish graphic novels and art books; his blog (in Portuguese) tells more.
Thursday, October 22, 2009
lots and lots of fried ants revisited
Andrew Gelman links to this article by Gretchen Chapman and Jingjing Liu
Fans of Gigerenzer's Reckoning with Risk take note. (This is exactly what I need for book 7.71, so unbelievably great. Thanks, Andrew! And thanks, Keith, who told Andrew!)
Previous research has demonstrated that Bayesian reasoning performance is improved if uncertainty information is presented as natural frequencies rather than single-event probabilities. A questionnaire study of 342 college students replicated this effect but also found that the performance-boosting benefits of the natural frequency presentation occurred primarily for participants who scored high in numeracy. This finding suggests that even comprehension and manipulation of natural frequencies requires a certain threshold of numeracy abilities, and that the beneficial effects of natural frequency presentation may not be as general as previously believed.
Fans of Gigerenzer's Reckoning with Risk take note. (This is exactly what I need for book 7.71, so unbelievably great. Thanks, Andrew! And thanks, Keith, who told Andrew!)
Tuesday, October 20, 2009
envy
Also courtesy MR, Cory Doctorow on a publishing experiment. Including, among other things, a limited hardback edition with a cover illustration by Randall Munroe. Form an orderly queue.
invisible hand and the economics of economics departments
Courtesy MR, article by Daniel B. Klein on The Ph.D. Circle in Academic Economics.
Saturday, October 17, 2009
Award in Environmental Journalism for Ilya Gridneff
Ilya has just received an award in environmental journalism for his reporting on the carbon trading market, story here.
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